Quick Poll

Congratulations to the New Orleans Saints, NFL Champions.  I bet there will be some partying on Bourbon Street tonight…

Well, today is Super Sunday, the day the NFL American Football championship is played.

The Indianapolis Colts come in with a rookie coach and arguably one of the best quarterbacks the game has ever seen.  The New Orleans Saints come in with spunk and fire five years after Hurricane Katrina devastated the city.

Both teams come in as the best in their conferences… this is truly a match up of the best teams from this season.

The past few Super Bowls were very exciting games, with last minute heroics to settle the game.  How will today’s matchup match up?

So, what are your thoughts on the game?

[poll id=”111″]

Link of the week

Voigt’s Classic Radio Build

Antique radios were lacking in the electronics department… but they were beautiful  pieces of furniture.  Today’s modern audio systems are powerful and extremely capable… but, plastic isn’t something you want to feature in your living room.

If you want the best of both worlds, you could do a whole lot worse than user Voigt at the Extreme Systems audio forum.  Starting in May of 2009, he started to build a wooden enclosure styled after a classic 1934-36 Zenith model 5-S-29 radio.  Inside, the system is all state of the art, with digital amplifiers and MP3 inputs.

Follow along through the process from Sketchup and component selection to the final product. There’s plenty for everyone in this thread – electronics, woodwork, metal and acrylic fabrication… it’s in there!

And, the winners are…

The Grammies.  The Emmies.  The Oscars.

This is the time of the year when the luminaries of the entertainment world gather to recognize accomplishments in the field, strut the latest fashions and act like buffoons in front of the national media.

No, that’s not what happened in Clearwater, Florida this past Monday.

That’s when the winners of the National Arts Program contest were announced in a brief ceremony at the Pinellas County Government TV studio.  This year saw the largest number of entries in the contest, and awards were given in the Youth under 12, Youth 13 – 18, Adult beginner, Adult Intermediate and Adult professional categories.

I have got to admit, it was a little intimidating being in the contest this year…  the quality of the entries was very high and the competition was tough.

The judges in the contest had a lot to choose from in each category, and awarded an Honorable Mention, Third, Second and First prize in each judging category. Here’s what they eventually settled on in the Adult Professional category…

Honorable Mention:  Solitude by Mark Smith, Photography

Third Place: Somber Gentleman by Douglas Thonen, Painting

Second Place: Nakashima-Inspired Bench by Tom Iovino, Craft

First Place: Inception of a Burden by Debra Lansdowne, Works on paper

Yes, that’s the same Debra Lansdowne who made the ceramic bowl for the Mars and Venus Rising piece I showed earlier.  While I didn’t take first place, I can’t complain… the quality of the works was stunning.

And, I would be remiss if I didn’t thank a few folks… namely the guys up at Bell Forest Products who helped me find the stunning maple board that formed the top of the bench and Craig Andrews of Austin, Texas who offered some design suggestions for the base.  Thanks, guys!

Now.. what am I gonna build for next year’s contest? And, will I have to buy a tuxedo for the next award ceremony?

“Here’s how I’d do that…”

[Today’s post is a guest column from Seattle-based woodworker Thomas M. Scott.  He’s talented, funny and very knowledgeable about hand tools. Here’s his take on a discussion you may have participated in.]

One of the things I love about getting together with other woodworkers, either in person, or online, is discussing methods of work. It often seems as though there are as many different ways of tackling a problem, as there are woodworkers to discuss it.

A discussion of this nature, usually starts thus: The problem is laid out, and the solutions begin with the most expedient (read simple) use of whatever machine or power tool a participant has the most experience with. Then, someone will usually suggest a specific joint, or classic method, modified for modern machinery. Eventually, the discussion comes around to how it was done in antiquity, and how, or why that particular joint or method is so well suited to its purpose, and if the modern variants are really any improvement over the original.

For example, the discussion might concern the construction of a simple frame, for a frame and panel, or a face frame. Someone will suggest that it could go together quickly with pocket screws.

“All you need is the jig, some pocket screws and the power drill.”

Certainly, someone else will prefer to use dowels (perhaps they already have a doweling jig). Once the pros and cons of dowels versus pocket screws have been exhausted, someone else may suggest a mortise and tenon joint. The virtues of various tenoning jigs are weighed; maybe someone will have built their own.

If this is an international forum, as is likely online, then there will inevitably be a sidebar of the differences between tenoning with a router verses a table saw. Perhaps, someone will bring up the convenience of floating tenons, and of course, everyone will wish that they owned a square mortising machine

And yet, the patient among us, …hold fire until the last possible moment, …when the debate has nearly petered out, … just before the discussion threatens to change entirely. In timing, it’s not unlike an auction, with anxious bidders rapidly exhausting their funds until only one or two are left bidding. Then, just as it seems that the deal is sealed, from some unheard corner comes a new bid,

“Why not just chop the mortises out by hand, and trim the tenons with a shoulder plane?”

After what resembles a stunned silence, the discussion continues with renewed vigor, and those whom were eagerly waiting to speak, now become anxious listeners. New (old) terms are employed, such as ‘haunched’, and ‘foxed’. There will be a discussion of how to ensure precision, using proper technique. Examples of the ancient method will be trotted out as testament to their strength and durability. And each of us will privately examine his own ability to do things the way our forefathers did.

[Thanks, Tom.  By the way, today is the awards ceremony for the art contest at the county courthouse.  I’ll have an update on Wednesday’s post.]

Quick Poll

There are many places to find woodworking knowledge.  Websites. Magazines. Talking with experienced woodworkers.

Then there are books. Lots and lots of books.  Whether a classic tome reprinted from centuries ago or a volume of the latest how-to techniques, there’s something for everyone out there.  And, if you can’t find what you need, rest assured there’s probably a woodworker somewhere slaving over a keyboard preparing a manuscript to fill the void.

So, this week, we want to know what you would be willing to shell out for a single book.  Would you be willing to open your wallet wide for the right book, or can you pass, looking to find the information elsewhere?

[poll id=”109″]

Link of the Week

The Spoken Wood Podcast

Matt Vanderlist, the woodworking Podfather, has recently launched a new and very interesting feature on his website called the Spoken Wood Podcast.

Part storytelling, all woodworking, these podcasts are stories read by bloggers who wrote them.  Some of the featured voices in the program include Kari Hultman of the Village Carpenter, Ron Hock of Hock Tools, Chris Schwarz of Popular Woodworking and yours truly.

Not only can you hear the podcasts at Matt’s site, but  you can also subscribe for free at iTunes and get them delivered to your iPod so you can listen on the go.

Stuff I’ve Built: ‘Mars and Venus Rising’

January 2010

No, I don’t wear a beret, sit in coffee shops debating the merits of Karl Marx and snap my fingers when the improvisational jazz band finishes playing a set.

But, I do enter an annual art contest.

It’s that time again, when the National Arts Program co-sponsors an art contest here at the county courthouse.  County employees, relatives, volunteers and retirees are welcome to submit their projects for judging.

Amidst the many paintings, photographs and sculptures, I have entered my woodworking again.  In the past years, I have done pretty well in the competition, earning a first place in the adult intermediate category for the Contemplation Bench and Pagoda Box.  I took a second place red ribbon last year for the Fujiwhara Chest.

This year, I am back with two projects.  One, the Nakashima-Inspired Bench, was already featured in the blog.  Click here to read more about that project which has already gotten more than a few ooohs and aaaahs….

The second project is new, but you have seen elements of it already.  Remember last August, when I posted my article about bending wood?  And, when I made the entry about laying up a matched  veneer sheet?  You were actually seeing elements of this.

This project is called ‘Mars and Venus Rising’ and is a collaborative effort between myself and a very talented ceramic artist named Debra Lansdowne.  We have worked together in the same department for the past 11 years, and her work is incredible.

The stand was constructed of three bent ‘legs’, each made with alternating layers of walnut and ash.  The three are connected to a walnut piece in the middle of the ‘waist’ with dowels, epoxy and plugged screws.  I was going to try to do this without screws, but I kept having issues with one of the legs, and figured the small walnut plug I put in would  be a  visual accent.

The top is a circle of 3/4″ plywood veneered with some very sweet walnut burl.  It is secured with plugged screws and epoxy.  The edge is banded with ash veneer to stick with the overall theme of the project.

I had a bear of a time getting the angles right when I notched the disc around the legs.  I ended up with a small gap between the inside faces of the legs and the disc, which I covered with small pieces of walnut shaped into sculpted triangles.

I sanded the heck out of this and finished it with a seal coat of 1# dewaxed shellac.  Once dry, I sanded it down with 400 grit wet/dry paper, blew off the dust and wiped on three coats of wiping poly.  I was tempted to use my homemade oil/varnish/thinner mix, but I have heard that oil gives ash a very yellow appearance.

Debra’s part of the project is an upside-down bowl. She threw the12″ diameter bowl and sculpted the figures of a man and woman into the wet clay.  She glazed it and fired it in her home kiln.  This process added subtle colors to the finish and gave it a nice glossy look.  Finally, she glazed a smaller bowl to the inside of the larger piece in order to give it lift above the disc.

The awards presentation will take place on February 1, and I’m interested in seeing just how well our joint project shows.

If we win, we will split the prize money. My share may be just enough for me to buy a beret!

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