Link of the week

Woodcanuck’s Blog

I have made a whole bunch of friends doing this woodworking blog thing. Friends right around the corner from where I live. Friends across the country. And, friends from beyond the borders of the United States.

That’s where my good friend Ian Mackay lives – north of the border in Torono (yes, it is spelled incorrectly but no, you don’t pronounce the second T in the city’s name – it’s my own phonetic spelling) Canada and is running a tidy little woodworking blog himself. He has currently been working on his workbench, but he has also built a marble roll, tables and even a canoe!

Poke around in his site for a while, and you will get a good idea of his style – and his building process.

Oh, and if you see Ian, be sure to offer to buy him a cruller and a double double at Timmy’s.  Trust me, he’ll understand and thank you for it!

Bandsaw on the bias

At the St. Petersburg Woodcrafters Guild, we are getting ready to host a holiday party for the members and their guests. A chance for each of us to talk about our holiday plans and meet many of the patient and ever-suffering spouses that support us crazy woodworkers.

As part of the festivities, our guests will have the opportunity to win some of the centerpieces from the tables. And, you know the centerpieces aren’t going to be vases of flowers – but woodworking projects!  I am part of a team of woodworkers who are building a few Nativity sets to serve in this role. The characters of the baby Jesus, the Wise Men, Mary, Joseph and the menagerie of animals will be scroll sawn out of some pretty wood, and I have been put in charge of building the mangers.

Getting the mangers built was a piece of cake – sort of a building construction project in miniature. A back wall with a gable, two roof panels and two side walls.  Those were easy to cut out and glue together. I chose hot hide glue for this, because the tiny pieces were just too small to clamp, and hide glue is renowned for its high early tack.

Once these were assembled, I had to create a base for them to set on. The instructions said to cut out a wavy natural-looking edge on a piece of wood, then round it over. Yeah, that would be nice… but I was thinking something a little more unique. While picking through candidate boards for this application, I ran across a bunch of pieces with some wany edge. Hmm… maybe I could incorporate that…

That’s when the idea hit me – why not cut a more sculpted edge on these pieces?  The wane was nice, but not everywhere on the pieces.  How was I going to do this quickly on these boards?

I had to turn to my new band saw. The old model I used to have had a broken trunion under the table, so I never moved it out of square the the blade, for fear I would never get it square again. But, the trunions on my new Laguna band saw are huge. Beefy. And, they could hold a bevel without breaking a sweat.

After cutting an appropriately natural looking edge on the boards, I cranked the table over to about 30 degrees tilt and locked it into place. That roughly matched the angle on the wane. I made sure I had the board oriented the proper way – after all, I didn’t want to undercut the board – I started paring the edges down with the band saw. I wasn’t trying for nice straight lines – I wanted it to look a lot more like a rocky outcropping. Cut, cut, cut. Pull the piece off the saw and look at it, then cut some more.

I was using the 3/4″ resaw blade for this, so I knew I had to do more nibbling that I would have had to with the 1/4″ blade, but that made the final piece look better.

After the sculpting on the saw, I took the pieces and refined the edges on my edge/spindle sander. I worked off the table most of the time, accentuating the nooks and crannies I had carved with the saw. I just wanted to give that the once over to remove any bandsaw blade marks.

After that, I sanded the bases with some 120 grit paper on the random orbit sander and glued the mangers to their bases, using the hot hide glue. Just a little time in the clamps, and the pieces were ready to roll.

Now, I just have to collect the decorative facings that one of our team cut, apply those to the roof line and do the final sanding and finishing.

I’m pretty sure I can make that deadline!

Tweaking my technique

When I was at Woodworking in America last month, by pure chance the Modern Woodworker’s Association booth was back-to-back with the Tormek booth. What a very real and very pleasant surprise!  I knew within a few minutes that I was going to be in for a real treat – watching some very talented Tormek users sharpen the right way.

Hey, I have been getting good results with the Tormek all along, but for some reason, it did seem to be taking a bit longer and was a bit fussier than I had hoped for. As with most things that don’t work exactly as planned in my life, I knew it was all operator error, so I was happy to see the only bad variable in the system was about to be corrected.

Jeff with Tormek went through the process step by step. I took lots of pictures and copious notes, realizing in mere minutes what I had done wrong with my setup, but vowing to get back to the shop to correct my issues and start getting sharper tools in much less time.

First things first – I realized I needed to spend more time with the stone grading tool to prepare the surface of the wheel to get things going. The rough side of the stone grader does a great job unclogging the wheel and exposing new grit – something that you can feel. Doing this before starting any sharpening is essential. I discovered that most complaints of the system taking tool long revolved – pun intended – around this critical first step.

The instructions in the Tormek system said that a more ‘advanced’ way of getting the grind angle correct was to use a marker and sort of  ‘free hand’ the angle. While it may work in certain situations, the grinding gauge is a much easier way to ensure the blade is at the proper angle.

The other thing I learned is that I wasn’t spending nearly enough time on the rough grit, assuming that I wanted to get to the finer honing steps faster. As with sanding a project, the more time spent with the rougher grits makes the finish sanding go much faster.

I also learned – as foolish as it was – not to change the items to be sharpened in the gauge after each step. Stupid me would grind one chisel on the coarse, take it out of the gauge, insert the next, lather, rinse, repeat. Keeping the chisel, plane iron or whatever other tool in the guide through the whole process – and working one tool at a time – is the only way to fly.

 

Once I hit the stone with the fine side of the stone grader, I simply put the tool back on the guide bars and went on to start honing the edge. And, yes, you need to spend some time on that process, because you are looking to refine the scratch pattern. Under a bright light, it all became very clear.

Finally, once that was done, it was time to move to the honing wheel. That’s when you free the tool from the gauge and do some freehand work. First, you have to charge the leather wheel with the honing compound. Then – and no, I wasn’t doing this right, either – you have to take the wire edge off the back of the blade. The proper way is to lay the flat on the wheel and then raise the end up until you can feel the edge make contact with the wheel. It’s a very positive feel, and it’s difficult to push it beyond that point. The fine abrasives in the honing compound take the wire edge right off in no time flat.

Once that is complete, Jeff taught me another trick – polish the bevel on the strop wheel as well. Ingenious, don’t you know… I did know this, but I had no idea – until I saw it being done – how mirror-perfect you can make the bevel doing that. Jeff also told me to lift up a little bit past the point where the bevel contacts the strop wheel and polish it there briefly – that actually cuts a micro-bevel on the edge of the blade.

How sharp are my chisels now?  Well, let’s just say that I went through a lot of notebook paper proving how sharp things are!

Now, how many more blades can I find to sharpen?

 

Quick Poll

When we think of workplace safety, things like hearing and eye protection typically come to mind.  Or, is it hold downs, feather boards and push sticks?  Dust collection? Not drinking before you operate power tools?

My point is that we often overlook one very important part of shop safety – what we’re wearing on our feet.  There are lots of hazards that could affect us down there – from dropped objects to stepping on sharp items.  And then there’s the slipping hazards, splashed chemicals and other concerns.

If a foot or both feet are hurt, you could be out of the shop for quite a long time.

This week, let us know what kind of footwear you slip on before you head out to the shop.

Link of the week

The Corner Workshop

Somewhere in the corner of a nondescript basement in Ohio, there is some pretty darned sweet woodworking taking place. Today, my link of the week points you to the Corner Workshop, the workspace of Sean Wisniewski.

Sean is doing some incredible work in that shop of his. In fact, today he has a great post up about how he turned some wild looking bowls by using a very simple technique involving two cuts and a few pieces of contrasting colored spline. It’s an insanely simple embellishment that lends a tremendous amount of drama to the piece.

Sean has been a really good friend, and his site will hold your interest for a long time as you follow his woodworking exploits.

More fun than a barrel full of monkeys

Hey, everyone, it’s Iggy again. I really do like that guy Tom. No, seriously. But, when the tailless wonder went up to the Big Apple to help those people who were hit by Hurricane Sandy, SOMEONE had to keep the shop up and running… and it’s a good thing he had me to do the honors.

In addition to reorganizing the shop, whittling dovetails with a frozen herring and doing all other kinds of derring-do, I also had some time to sit down and pen a few words that the folks at Wood Magazine enjoyed. They enjoyed them so much, in fact, that they published them in the December/January 2012/2013 edition of the magazine under the title of Get what you really want this holiday.

Now, I’m sure it may sound mercenary at first – after all, we should be thankful for any gifts that we do receive during the holiday season. But, you would be amazed how difficult it is to shop for someone who woodworks! Many of the uninitiated out there may spend a tremendous amount of time scratching their heads wondering where to even begin looking for gifts for the woodworker in their lives, and usually end up picking up one of the old holiday standbys – a Reindeer sweater.

The article helps you guide the gift givers in your life to make shopping for you an easy process they will enjoy.

Which is more than I can say about having to work with Tom at times. I hear he may be looking for a Santa suit to wear while working in the shop. I’m not sure how he plans on keeping the wood chips out of his beard.

 

Lawn Gisland Woodworking

While I was up in New York, I didn’t get a chance to do much woodworking. There is a world of difference between not doing much woodworking and not doing any woodworking. In fact, I had a pretty darned good woodworking trip – I came back having taken the Ultimate Penultimate Woodshop tour!

That’s right – my good friend and one of my co-hosts of the Modern Woodworkers Association podcast – Dyami Plotke, lives about an hour east of New York City on Lawn Gisland (Long Island, as it is incorrectly printed on maps) and offered me the opportunity to play hookey for a day from the New York City Logistics Center. Nah, I couldn’t do that, but when they did change us from 12 hour days to 8 hour days, that provided me the opportunity to give Dyami and me a chance to meet up after work one day.

He pulled up to where the warehouse was located – a shady industrial looking area of Brooklyn – and offered to drive me immediately to Tools for Working Wood, legendary woodworking store over at the docks and the home of Gramercy tools. So, we braved the uber-congested city streets and shot as quickly as possible to the site of the store. Well, we got there just a little too late. Bummer. But, we did have a TON of fun schlepping up the five flights of stairs in the scary looking building that I fully expected to see in some creepy zombie movie.

After escaping the dock district, Dyami offered me a choice – go do something generic in Manhattan, or head out to his home to check out his workshop and have a meal with him and his family. How long do you think it took me to accept his generous offer to head to his house?

It took some time to navigate the dark, crowded streets (why does the Sun never shine on Lawn Gisland?) out to the highway to his house. And, what a nice place it is! I mean, I had a chance to see the Penultimate Woodshop!

I got to visit his wife’s basement craft room where he podcasts for the Modern Woodworkers Association.

Heck, I even got a tour of the Penultimate Tree House, still under construction.

You can tell I’m a little excitable, can’t you?

In addition to the woodworking tour, we were also able to sit down for some very good Lawn Gisland barbecue (it was the southern shore of the island.. it counts), a bottle of a sweet Malbec and a lot of stories. Most importantly, I was able to get out of the madhouse that is the city, unwind for a little bit and enjoy myself.

All good things must come to an end, and that was the case with my visit to Dyami’s house. But, we had to make one last stop when we got back to the city – at Tim Hortons. A tribute to our Canadian friends Ian MacKay and Adam Van Sickle who we teased mercilessly during our trip to Woodworking in America just a few LONG weeks ago.

Today, I go back to my normal routine, and I will be getting some woodworking done for sure. But, I will always fondly remember my time visiting Dyami’s place. It pays to take that side trip.

 

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