Norm, is that you?? Seriously though, NYW has made an art out of the use of stain– but lets face it, I’ve learned a ton from him and the show and have the world’s respect for both.
Unless I am doing something with a great difference between shades of the same type/species of wood (cherry for example) I leave it natural, though I’m about to try some on a mahagony book case to even out the color.
I try to get by without stains unless I’m try in match a new piece with something someone else has already stained…as in adding a kitchen cabinet to the ones already in the kitchen from when the house was built.
I use BLO or Tung oil to make grain pop and follow with protective coats/coat of lacquer or varnish.
If I need to add color to something I’m building I use dyes as in a dark dye too bring out the figure in curly maple.
Norm, is that you??
Seriously though, NYW has made an art out of the use of stain– but lets face it, I’ve learned a ton from him and the show and have the world’s respect for both.
Unless I am doing something with a great difference between shades of the same type/species of wood (cherry for example) I leave it natural, though I’m about to try some on a mahagony book case to even out the color.
Lawrence
Comment by Lawrence — March 23, 2008 @ 11:00 am
Hey Tom,
I prefer not to stain, if at all possible, and I particularly try to avoid reddish stains. My Ol’man use to say,
“Red stain, red faces.”
Tom
Comment by tms — March 23, 2008 @ 5:41 pm
I try to get by without stains unless I’m try in match a new piece with something someone else has already stained…as in adding a kitchen cabinet to the ones already in the kitchen from when the house was built.
I use BLO or Tung oil to make grain pop and follow with protective coats/coat of lacquer or varnish.
If I need to add color to something I’m building I use dyes as in a dark dye too bring out the figure in curly maple.
Comment by John Gray — March 23, 2008 @ 10:36 pm